I have often seen the icon
The Holy Trinity, which was painted
by Andrew Rublev in the fifteenth century, but was never particularly drawn to
it until I read a description of some of the symbolism in the piece. As Peggy
Rosenthal notes, “A feature of Rublev’s Trinity
often commented on is the empty place along the fourth side of the
square table, the side closest to the viewer. This empty place is generally
seen as an invitation to the viewer to join in God’s inner life—especially as
the Eucharistic chalice stands close to the edge of this side of the table.”
On the two Sundays after
Pentecost, the Church celebrates the feast of the Most Holy Trinity and the Most
Holy Body and Blood of Christ. The feast of the Most Holy Trinity invites us to
“join in God’s inner life,” and the feast of Corpus Christi shows us how—by partaking
of the Eucharist and literally becoming a part of the body of Christ.
Why would anyone refuse
this invitation? Perhaps because as Moses removed his sandals before he
approached the burning bush, we must (metaphorically) remove our shoes before
we approach this table—that is, we must be willing to leave part of our “self”
behind, the part that enables us to move on if we wish. To join God’s inner
life is to enter into the stability of commitment that love requires. God’s
inner life is magnificent, but it is also demanding—to love God with all one’s
heart, mind, and soul and to love one’s neighbor as oneself. As we give, so
shall we receive—but we can’t be sure of that until we take the risk to accept
the invitation and take our seat at the table. Are we willing to take off our
shoes and approach?
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